desember 15, 2008

Skyggesider

Han var utvilsomt et løvetannbarn – et sånn barn som bærer frem godhet til tross for sine forutsetninger. De kaller det resilience i psykologien. Morens schizofrene kattedrap foran småguttens øyne var en av mange tråder han satt viklet inn i – alene. Endelig, som tolvåring hadde han spart nok penger på avisbud jobben til å flykte med bussen til sin far mange mil unna. Der ventet kjærlighet, men desverre verken gode rollebilder eller stabilitet. Overraskende, dro han likevel frem en lyskilde fra sitt indre, som kom utallige mennesker til gode.

Dina derimot, strever i sin mestring av skjebnens tildelinger.

Hele «Dinas bok» kan leses som et forsøk på å forstå de mørke sidene ved kjærlighetsdriften, både hos mann og hos kvinne. Metoden Herbjørg Wassmo bruker er å gå tilbake i tid, og anvende som sentralfigur en kvinne som istedenfor å la seg knekke av det sterkt patriarkalske og autoritære gamle mannsamfunnet sjøl gjør seg sterk og hard og mannhaftig. (Espen Haavardsholm)

Jeg kjenner en dyp takknemlighet over innsikten gitt meg i møte med løvetann mannen. Hans totalitet - smerten og gleden, utryggheten og livsbeJAelsen -  lærte meg at vi tåler å romme helheten. Videre at det finnes alternativer til å gjøre seg hard og utilgjengelig.  Med større takknemlighet lever jeg videre med vissheten om at vi til syvende og sist og utvekslet det vi begge trengte – annerkjennelse og kjærlighet – til exit, og videre.

desember 11, 2008

kveldsbad

uten lenke ligger proppen på kanten. Brått suges sokkeloen ned i sluket,  vannstanden synker langs leggen, et hår ligger på bunnen, en roseflak-rest flyter sammen med en annen sokkelo. Hjertet dunker oppvarmet sterkt mot låret. En tynn stripe oppstår vertikalt fra slukets midtre hull, virvelen dreier mot venstre. Vannets overflatespenning trekkes nedover, en åpning oppstår. Oppi får en fingertupp plass. Vannets kant siger langs ryggen, ned rundt setet, tyngdekraften gjeninntar kroppen. Emaljen er matt, rusk hviler i bunnvannrestene. I sluket omkranser syv hull  det midterste.

desember 10, 2008

Interior Scroll

november 29, 2008

meanwhile

gjøremålene

flagrer, ørene vibber

hendene flipper-flapper

øynene grunner-gransker

skytteltrafikktankene

dobbeltstegføtter i trapp

sjelen som slurrer?

november 29, 2008

rainy Saturday flow

- meanwhile -

I like to roam around

Sting, 1996

Let your soul be your pilot


I sjelens uro

tok hjertet meg i handa

leide meg for å se

Nils Aslak Valkepaa

november 27, 2008

Please, merge

“I don’t have two lives,” Leibovitz says. “This is one life, and the personal pictures and the assignment work are all part of it.”

Annie Leibovitz’s words have hovered in my mind the last ten days. My equivalent was art=life, life=art. Yet I was skirting the corners as it came to asserting the artist in my life, and my true self in my art (not to give false impressions that I’ve peeled all the layers of the ‘know thyself-onion’.)

This morning I finally sat down with the five day old paper (the need to accurately cite the most current headlines does not exist on my to-do list, nor is news quoting regarded as a sign of intelligence in my world view). As I ploughed through and found Harald Stanghelle’s commentary on the beggar tour of the American car industry CEOs to Washington, arriving in their private jets, my mind stuck to the final words in his reflection on the financial crisis: ‘The only thing we have to fear is fear itself’. Surely significant words uttered by Franklin D Roosevelt in his Inaugural Address in 1933, and highly relevant in our current state of affairs.

Yet, how insignificant one does feel, in the light of global perspectives, great minds, and admirable artistic talent and success. Who am I… ‘ to be brilliant gorgeous, talented fabulous?’

Yeah, that’s right – move away from the shadows of your own belittling excuses. Honesty won’t find you in the mud of fear.

The godawful questions, What is Art & What is GOOD Art? I have an idea, but no way to describe it. Let me try out a bombastic statement: If it ain’t honest, it ain’t art, at least not good art. Bruce Mau nr. 43: “Play can only happen when people feel they have control over their lives. We can’t be free agents if we’re not free.” Merge as you get to the end of the accelaration lane.

november 25, 2008

Things needn’t be black or white

Louise Bourgeios: From Statements 1988:

The repetetive motion of a line,

to caress an object,

the licking of wounds,

the back and forth of a shuttle,

the endless repetition of waves,

rocking a person to sleep,

cleaning someone you like,

the endless gesture of love

november 22, 2008

å flette da og nå

Do I carry an iceberg within?  she thought to herself as soon as she gained consciousness after the night-sleep. The overwhelming sense of love while holding the hands of her girlfriend and boyfriend, herself in the middle; she felt vulnerable and open as if she was a child. The force behind the five tears that rolled down her cheeks the previous evening was telling of something. She just wasn’t sure what exactly.

Her memory took her years back to various glimpses looking for answers: The faceless man who wore a black collar with the telling white rectangle in front. His meaningless message and explanation. Finding her through the Interpol- the sense of drama, disbelief, surreal ness. She felt as if not only her clothes were stripped away but her skin as well. So goddamn exposed! Her pain, despair, loss of everything. It must have been anger that kept her on her feet another minute – she leapt towards the man dressed in black: I live on the other side of the world, you don’t know me, you don’t know him, how do you know this, how do you know this is true, it can’t be true…

Her brother told her years later how her wailing had met him before he entered the house – how he felt the world turn on itself when he saw her curled up, the never to be expected words from their mother about his brother in law offered as an explanation. The shockwave threw him back outside on the front step.

She remembers her father in a glimpse – the so so frail man, left speechless only a couple of years before. He sat in a chair in the far corner of the house – he looked like a little bird, was he shivering? -she asked her memory.

She remembered this moment of seeing her father; the shift from falling, falling… to instantly feeling out the need of her surroundings – her deepest programming? – this moment the needs of her father. She worried she might scare him with the rawness and mercilessness of her pain. Did he understand what had happened?

This morning she wonders if she herself understands what has happened over all these years. She wonders if there is a pool of tears that hasn’t been emptied yet. For the first time since, her heart is not only open in principle, but also actually germinating with love. She wonders if this newfound sense of coming home, the blanket of goodness  – is there another stage to her grief she never found described in the books? Is there a stage that involves letting go even further? Not of him, the sense of his ever present presence. But letting herself go yet a bit more.

glass heart

Her graceful acceptance has been a genuine shell that has kept her firmly on her feet all along. For this she feels an immense gratitude. The possibility that there is another pool of tears at the end of letting go doesn’t worry her. She trusts him, the man with the grey eyes and vast and generous soul, in his understanding of all of her. That he would want her to, and support her in letting go of what has probably kept her upright within: The need to carry it all alone. Perhaps there isn’t an iceberg within her, merely an eight-year-old deep frozen ice sickle, now about to melt?

november 19, 2008

vinden, båten eller begge

DU VAR VINDEN

Olav H. Hauge,

nå også musikk tilsatt.

november 18, 2008

a Playful kick in the butt – seriously!

In 1998 Canadian designer Bruce Mau wrote an Incomplete Manifesto. It starts out like this:

  1. Allow events to change you. – You have to be willing to grow. Growth is different from something that happens to you. You produce it. You live it. The prerequisites for growth: the openness to experience events and the willingness to be changed by them.
  2. Forget about good. – Good is a known quantity. Good is what we all agree on. Growth is not necessarily good. Growth is an exploration of unlit recesses that may or may not yield to our research. As long as you stick to good you’ll never have real growth.

Like the tone of this? Here is the complete Incomplete Manifesto – and it will still be here to get the juices flowing again if your inner critic drives you to a halt. Mine does.